In fact, ‘Landscapes’ is likely too bright an expression the Cure were digging wells on Disintegration and were happy to throw us all down there in a bucket. The band use the 12 tracks of the album to create landscapes that feel moodier and more menacing than ever before. to follow the money trail to the middle of the road obliteration. #Deftones albums ranked series#A series of pop records that charted well and saw some commercial success could easily have swayed Robert Smith et al. They had emerged from punk as one of the artistic new auteurs of alternative rock music, and their sound had even gone as far as to develop the group into pop stars. The Cure had, by 1989, a serious career under their belts. It means doing something like ranking their studio albums from worst to best puts us squarely in the firing line of their fanbase, ready for a roasting - wish us luck. It’s a juxtaposing combination that has made The Cure quite possibly the ultimate cult band. The group have developed a trademark sound that continues to play tricks on itself, forever masking the dark and morose within candy-pop flavours, while sugar is drenched in the sweat and tears of gloomy goth rock. That said, The Cure are a lot more than goth poster boys. Hell, they can even stake a claim to have invented an entire genre. It has left the band as one of the most pivotal groups of Britain’s illustrious rock ‘n’ roll past. Having formed in the late seventies as part of the post-punk explosion, the band’s sound has evolved from their more vicious roots into something moodier, gloomier and altogether brighter. The Cure are, undoubtedly, one of the most unique bands to have emerged from the creativity pool of the eighties.
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